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  • Ayumi Shibata’s Konjiki no No, 2022, paper, string, 8.25 x 5.5 x .25 in.

    Light Houses

    Four artists light up their architecturally influenced works to tell stories, create moods, and explore ideas—all with the mysterious poetry of illumination.
  • Ian Alistair Cochran. Photo courtesy of the artist.

    The Queue: Ian Alistair Cochran

    Ian Alistair Cochran casts resin in a new light. In The Queue, the Chicago-based artist shares about the tool that enables him to create perfectly smooth resin, his experiments with new-to-him materials, and the elemental appeal of light.

  • Cofounder Christopher Schwarz shows students how to make wedges with a band saw. Photos courtesy of Lost Art Press.

    A Hardworking Press

    Founded by two craftspeople, Kentucky-based Lost Art Press preserves and presents deep knowledge of hand tool woodworking.

  • Arleene Correa Valencia. Photo courtesy of Adrian Osnaya.

    The Queue: Arleene Correa Valencia

    Arleene Correa Valencia explores the Mexican immigrant experience in textiles, mixed-media sculptures, and paintings. In The Queue, the Napa, California–based artist shares about her use of repurposed work clothing, her Indigenous collaborators in Mexico, and how she came to incorporate textiles into her practice.

  • Matthew Holdren works on a plan while flanked by two handmade chairs. Photo by Cedric Angeles.

    The Scene: Matthew Holdren

    Holdren grew up in Vermont, where his dad built the family home and his mom owned an antique store. He’s lived in New Orleans for 16 years.
  • Hannah Chalew at work in her studio. Photo by Cedric Angeles.

    The Scene: Hannah Chalew

    Chalew’s family moved from Baltimore to New Orleans when she was 12, so “I can’t claim to be a native but I definitely consider myself to be ‘from’ New Orleans.”

  • Seguenon Koné strings a handmade bolon. Photo by Cedric Angeles.

    The Scene: Seguenon Koné

    Koné grew up in northern Ivory Coast, in a village called Gbon. He moved to New York City and then to Orlando, Florida, where he worked at Disney World and toured with the late singer Jimmy Buffett before moving to New Orleans in 2008.

  • The gold horizontal stripes across the top of Arleene Correa Valencia's Un Momento Mas are reflections on the sculpture's mirror-like surface. Photo courtesy of the artist.

    Light Unites Us

    Correa Valencia, who lives in Napa, California, came with her family from Mexico in 1997 when she was 3. She calls her body of work—which includes textile pieces, some made with US flags, and oil paintings—a “love letter” to her father, who migrated first.

  • Fitzpatrick inside a custom oversize tool chest she built for a client, 25 x 52 x 28 in. Photo by Christopher Schwarz.

    The Queue: Megan Fitzpatrick

    Megan Fitzpatrick spreads the word about the joys and peculiarities of hand tool woodworking through purposeful, engaging books and classes. In The Queue, the Cincinnati-based editor, woodworker, and teacher shares about her mutually enriching professions, the publishing project she’s most proud of, and her favorite hand tools.

  • Pippin Frisbie-Calder applies watercolor to her 2017 woodcut Contemporary Heroes, which references Operation Migration and supports conservation groups, 69 x 39 in. Photo by Cedric Angeles.

    The Scene: Pippin Frisbie-Calder

    Frisbie-Calder was born on the north shore of Lake Pontchartrain in Hammond, Louisiana, northwest of New Orleans, but mostly grew up in Maine.

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