At Keiko Gallery, the Cups Runneth Over

Hatanaka Atsushi produces semi-porcelain wares by using knives and razors to carve geometric patterns into porcelain after being spun on a wheel. This show is his debut in the United States.
If there were a battle of the vessels, the pot or bowl might be a classic, heavyweight victor. But it'd be the cup – the vessel we hold in our hands, against which we press our lips – that'd be found the most intimate. Drawing attention to the "often-overlooked art of handmade cups" is part of what inspired KEIKO Gallery's annual cup show, which opens tomorrow and runs until December 2.
KEIKO, nestled in Boston's Beacon Hill neighborhood, specializes in contemporary Japanese art and craft. The group exhibition, "It's All About Cups," is now in its 4th year and features work from 17 artists and makers. Though heavily weighted toward ceramic vessels, this year the show also contains work from emerging Japanese glass artists.
Gallery owner Keiko Fukai kindly kindly answered a few of our questions about the show.
Tell us some of your favorite thing about running KEIKO Gallery.
Meeting the people who love our collections. Hearing wonderful stories from customers about how they like our pieces. I am also so excited to observe the progress of the young artists.
What originally inspired you to have a cup show?
Cups are very familiar items in our daily life. That's why I would like the people to use them and have a ritzy and arty feeling every day. And the price is reachable, even though they're made by quite established artists.
This is your first year including glass artists; can you tell us a little bit about that?
Expanding the expression of the cups: Each material has some real limitations to execute the pieces, so it is more interesting to have different materials.
Image Gallery
Hatanaka Atsushi produces semi-porcelain wares by using knives and razors to carve geometric patterns into porcelain after being spun on a wheel. This show is his debut in the United States.
Glass artist Fujiko Enami, whose cup is above, established the Ushio Studio with fellow exhibitor Ushio Konishi in 1998.
Itsuko Ishiguro, maker of the glazed clay vessel above, moved to the United States in 1987. A ceramics class at Raritan Valley Community College in Sommerset, NJ, launched her career, now spanning more than two decades.
Kenichi Sasakawa, whose glass cup is above, received an MFA in ceramics, glass, and metalworks from Tama Art University in 2006.
Masakazu Kusakabe, whose tea bowl is above, has been a ceramicist since 1970. In recent years, he has been known for developing a smokeless, energy-efficient wood-fired kiln.
Mitsunori Demachi began his career as a ceramicist in 1993; his work has been shown across Japan, Korea, China, and Europe.
Takeshi Imaizumi, also a ceramicist, won the grand prize in 2009 at the Japan Ceramic Art Exhibition. Imaizumi is one of the youngest artists showing at KEIKO Gallery.