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Meg Little's Energy-Infused Rugs

Meg Little loved to doodle as a teenager, and you can see it in her work today: vibrant rugs that look like they've been lovingly sketched with colored pencil. See a sampling of the rugs she's been making for 20 years above. But visit her website too, to see the whole gamut and to read a wonderful selection of thoughts about life, human needs, creativity, and the handmade. Here's a sample passage: "For thousands of years now, we've been using the same symbols: spirals, squares, dots, rings, to communicate, powerfully, below consciousness.

Gustav Reyes' Wearable Wood Art

Gustav Reyes makes jewelry I can get behind. I love the curved and clean lines of his bracelets, and the live-edge on the ring looks almost Nakashima-inspired. He'll be at the Craft2Wear show at the Smithsonian in October, but in the mean time you can take a look at more of his work on his website.

Penelope Rakov's Delicious Designs

I'm pretty sure if I were left alone with Penelope Rakov's Penny Candy Necklace I would end up breaking a tooth. Seriously: The Philadelphia-based studio glass artist's murrini jewelry is so deliciously detailed and colorful, it gives new meaning to the term eye candy.

Arline Fisch's Woven Brilliance

I risk being struck by lightning when I do, but I like to say the problem with earth tones is that the Earth is the wrong color. If you were the Big Craftsman in the Sky, would you pick the tans and browns and muddy greens that dominate nature? Wouldn't you rather live in a Candyland of violet and red, puce and chartreuse?

Wharton Esherick's Timeless Furniture

Wharton Esherick, the "Dean of American Craftsmen," fancied himself as a sculptor who worked primarily in wood. The Expressionist leanings of his early furniture and sculpture matured into softer, organic forms that still look quite modern. I love the sculpted yet functional look of his furniture, and you can pick out the influence of his aesthetic in following generations of furniture builders.

Eric Boos's Almost Edible Ceramics

I was immediately drawn to the work of Eric Boos. It's fun, colorful, and looks like candy (and who doesn't love candy?). The aptly titled "Almost Edible Ceramics" are even functional if you want them to be. They seem like the dishes Willy Wonka might use if Peewee Herman was coming for dinner.

Lisa Sorrell's Handcrafted Cowboy Boots

"Always wanting you, but never having you, makes it hard to face tomorrow," crooned country legend Merle Haggard. I feel his pain as I drool over Lisa Sorrell's incredible handmade cowboy boots - wearable art that, for now, I can only afford to ogle. She builds each boot by hand, then collaborates with her customer to create a design inspired by vintage patterns but infused with the personality of the wearer.

Annabeth Rosen's Protuberant Piles

I've long been fascinated by Annabeth Rosen's bulbous ceramic work, with its parts piled up like so many gourds or buoys or (pardon the expression) intestines. But recently, Fleisher/Ollman Gallery shared some images of Rosen's work in progress in her studio, and with a new understanding of the scale involved, I'm more amazed.

Ashley Vick's Modern Heirlooms

Ashley Vick's line of handmade metal jewelry is named after her great-grandmother, Filomena DeMarco--a nod to history and heritage also reflected in her work. Vick creates statement pieces that feel like a modern-day version of the heirloom jewels you might dream of inheriting from a relative or finding tucked away in the attic of an old house.

From Fiber to Glass and Back - Beautifully

Jackie Abrams and Josh Bernbaum's joint show, opening today at the Brattleboro Museum & Art Center, is called "Dialogue" - and how lucky for the rest of us, that we get to visually eavesdrop on their spectacular artistic conversation.

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