Sanjay and Jigna Jani of Akar believe that inspiring objects all come from the same creative place.
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August/September 2010
Volume #:
70
Issue #:
4
Issue Articles
The Council relocates to Minneapolis to start a new era.
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Bruce Pepich marks a milestone at the craft-centered museum he helped create.
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Awards, grants, museum news, transitions--it's all happening in the craft world.
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Esque's accessories, lighting fixtures and architectural details are a new art/craft/design hybrid.
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Studio potters have something to learn about function from industrially made ceramics, suggests Edward Lebow on viewing "Ceramic Design" at the ASU Art Museum in Tempe.
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Beverly Sanders considers two artists who find skin meaningful in an exhibition at the National Museum of the American Indian in New York City
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Ceramist Molly Hatch always imagines the work she makes in someone's home.
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We had diversity on our minds--a focus on the cultural, geographical, ethnic milieus in which we find examples of flourishing, singular craft today.
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The distinctive ceramics of Rosa and Winton Eugene, with its unique portraits and landscapes, reflect the rural South as well as urban issues.
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Jennifer Scanlon discovers Taiwan's traditions.
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The Cricket Press specializes in hand-printed music gig posters, art prints, and more.
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Eminent enamelist June Schwarcz is dubbed a Living Treasure of California.
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Craftspeople and others in the arts hold forth on the values of mentorship.
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