October/November 2012

Talking shop with Pismo Fine Art Glass...

Mastery, wherever you are on the journey, means putting one foot in front of the other.

The inventive woodworker's work can be found in nearly every major U.S. craft institution.

For almost 60 years, Rosoff has served the American Craft Council – and through it, the field at large.

The Renwick showcases artists whose formative years were shaped by 21st-century fears – but whose work conveys hope and resolve.

De Staebler resurrected and reinvigorated the human figure as a subject.

The act of making has always been very important to Lewis Knauss.

Much of Racine Art Museum’s success can be attributed to Pepich’s zeal.

Andrea Gill can recall – vividly – handling clay for the first time, at age 4.

Mary Anne Davis, Cynthia Tinapple, Craig Johnson, Gwynne Rukenbrod, and Susan Taber Avila share.

A craft think tank, the AAM conference, ACC's San Francisco show, and more!

Glenn Adamson on why it's assumed that craft is three-dimensional.

Our short list of fall exhibitions that we suggest you try to see.

Humor in Craft, Handmade Houses, and For Kith and Kin...

Must-have goods for your life...