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June/July 2011
Volume #:
71
Issue #:
3
Issue Articles
Surface Design in St. Paul, a rare gift to the Renwick, 25 years of woodturning, and Pritam & Eames at 30.
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A breathtaking installation at Tacoma, Washington's Museum of Glass offers a potent meditation on longing and loss.
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In her new book Open Studios, Brooklyn-based designer Lotta Jansdotter grants us admission into some spaces we might never otherwise visit.
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Asheville's Blue Spiral 1 is one of four distinct galleries (and a two-screen art-film house) owned by John Cram.
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When was the last time you made something with your own two hands?
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Heechan Kim creates exquisitely delicate sculptures of paper-thin wood and prickly metal.
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Textiles legend Sheila Hicks has never stopped traveling the world and seeking new horizons in her work.
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Myung Urso's one-of-a-kind compositions are catching everyone's attention.
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Sixty years on, the Archie Bray Foundation is still providing a cutting-edge experience for a dazzling variety of ceramic artists.
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Prague is steeped in multiple histories of making.
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Master metalsmith Gary S. Griffin is still eager to venture into unknown territory.
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In each issue, we ask members of the craft community to answer a question. For June/July 2011, we asked how heritage influences their work.
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Please join us in welcoming our newest addition to the Minneapolis office, director of education Tana Hargest, who recently moved here from New York to spearhead the Council's educational and public programs.
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Ellen Ruppel Shell, the author of Cheap, explains the high cost of discount culture.
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