Listening sessions, convening at Penland, and the 2011 show season.
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February/March 2011
Volume #:
71
Issue #:
1
Issue Articles
Few have lived life as happily steeped in materials and handwork as James Bassler.
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Blacksmith Erica Gordon creates chic buckles and lustrous dyed-leather belts.
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Ezra Shales' new book challenges readers to reconsider the industrial arts.
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An independent boutique becomes a hotspot in Northeast Minneapolis.
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Everyone gets 24 hours each day. Some do more with them than others.
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In Anne Lemanski's hands, fascinating materials become spectacular creatures.
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Since 1971, Pilchuck Glass School has been a hotbed of innovation. To mark its 40th year, we connect with 12 artists whom the storied school has touched, plus co-founder Dale Chihuly.
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Portland, Oregon-based designer Aurelie Tu hires women from a local YWCA shelter to help her assemble the stylish felt lampshades, rugs, and vessels she sells.
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At Red River Restorations in Austin, Texas, John Hindman and his team of woodworkers are reviving century-old craftsmanship. Julie K. Hanus talks to Hindman about his company's time-tested values.
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In a career spanning four decades, Joan Schulze has been a fearless explorer, employing all manner of techniques and materials in her signature quilts, collages, and other works.
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Rich traditional crafts abound in Myanmar, among the least-visited places in Southeast Asia.
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Checking in with the metalsmith and her beautiful brooches.
moreMembers of the craft world weigh in on nature's finest moment.
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We're accustomed to the idea of craft as expression, but could we also consider it a form of listening?
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A huge installation of crocheted coral has taken root at the Smithsonian.
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Disaster in New Orleans jeopardized the future of the Mardi Gras Indians and their spectacular suits.
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