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In 2005 Sangjoon Park had an epiphany. He looked at a pile of bowls on a table in his studio and suddenly understood that they were art. Never before had he considered these ceramic pieces to be anything more than utilitarian. "At that moment I realized these bowls-my training foundation-made me an artist long ago," Park says. "Most of us are in constant search for a new joy and we forget to appreciate what we have. This is how I came to a new appreciation of my work."
Thus began Park's 2005 bowl series , a combination of white porcelain and dark brown earthenware designed to show beauty through its simplicity. "Ordinary white bowls, placed on a brown base one by one, transform themselves into a new work of art by varying the arrangements," he explains.
Park's evolution as a potter began more than 20 years ago, when he was a young man living in Korea. He was 18 years old when, inspired by his uncle, a traditional Korean potter, he decided to pursue a career in clay and became an apprentice to a master potter, Na Woon Chae. "He said that in order to become a potter I must be able to make at least 30 identical bowls within an hour," says Park. "Countless failures ensued. Then one day Mr. Na announced I was a potter."
When he was 27, Park decided making bowls was not enough and, in an effort to become a "real artist," pursued a master's degree in ceramics at Pratt Institute in New York City, studying under the professor Robert Zakarian. "After Zakarian, my work changed. He taught me fine art through abstraction, minimalism and conceptual art. 'Don't only make beautiful objects,' he said. 'You need meaningful work.'"
Inspired by Zakarian, Park began using different techniques and materials. But he was searching for something more. "I was never satisfied with the art I produced," he says. "As a student, I did not appreciate the bowls."
Now, at 40 years old, Park recognizes how the beauty of the bowls lies in their reflection of everyday life. "I can make beautiful bowls but I never thought a bowl could encompass the expression of my life, my heart, my soul and my spirit. I have found that a bowl can hold so much more."
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Jan 27, 2008 8:18AM — Cheryl Costantini
I am so glad that this potter has found for himself that there is great art in the everyday beauty of the humble, elegant bowl. He is right, 30 identical bowls in an hour is about the skill necessary to have mastered this craft. Through such repetition one can begin to see the art in this so called craft. I spent 7 years in Japan was similarly trained. Six days a week, 10 hours a day, in constant pursuit of pure form; that was my experience. The depth of understanding revealed through such dedication cannot be duplicated through aimless wanderings. At 50, and after over 30 years pursuing art through simple form, I am always glad to know the musings of others on this road. I must ask , however, if this gentleman needs these bowls to be stacked and placed on a cylinder with a hole poked into it to be considered Art? Why, I must ask, is the simple form with all its ancient connections and nourishing basis not enough?
Sep 25, 2008 4:32PM — Joanna
I've had the privilege of being able to see Sang Joon Park's work in person and it is completely ingenious. It's not enough that each individual bowl is perfect, but the base in which they are stacked upon is hollow, sturdy, and light weight, which really shows the skill that the artist has. When the bowls are stacked on the base, it acts as a sculptural piece as well. Fashion AND Function.
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