American Craft Council

vol.65, no.3 JUNE/JULY 2005

FEATURES

32

PATRICK DOUGHERTY
He seems to be at one with the woods, having built a steady artistic career out of weaving and snagging sticks, saplings, vines and other skinny arboreal parts into woodland architecture.
by Edward Lebow

38
RED WELDON SANDLIN: BENDING TALES
With fairy and folk tales as her subjects, Sandlin playfully pays homage to ceramic traditions, using natural motifs executed with an exacting trompe l’oeil technique.
by Gretchen Adkins

42
KAREN LAMONTE: REFLECTIONS ON GLASS
In her large-scale freestanding sculptures, it is usually the female body that LaMonte examines under and through glass, through the translucent folds and drapery of dress.
by John Perreault

46
RICHARD TUTTLE: STREAMS OF THOUGHT
The beauty, vitality and meaning of rare Indonesian textiles are highlighted in an exhibition and a book designed by the artist.
by Pamela Scheinman

48
THE ARTIST RESPONDS: ALBERT PALEY / ART NOUVEAU
An exhibition organized by the Racine Art Museum examines the source of Paley’s inspiration—his remarkable collection of Art Nouveau objects.
by James Yood

52
TASMANIA—CROSSING THE DIVIDE—AMERICA
A touring show offers comparisons of studio furniture from Tasmania and North America.

DEPARTMENTS

6

CRAFT WORLD
New in Pomona—American Museum of Ceramic Art

24

COMMISSIONS

26

BOOKS

54
PORTFOLIO
LUANNE RIMEL, JAKE ANTONELLI, BRIAN DAVID REID, ANIKA SMULOVITZ

68

REVIEWS
STEVE KLEIN
Museum of Northwest Art, La Conner, WA
by Ron Glowen

TALYA BAHARAL
One Mellon Center Gallery, Pittsburgh, PA
by Graham Shearing

CURTIS BENZLE
Canton Museum of Art, Canton, OH
by Richard A. Schindler

66
GALLERY

70
CALENDAR

77
ADVERTISING INDEX

78

CLASSIFIED

79

AMERICAN CRAFT COUNCIL

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COVER:
KAREN LAMONTE—Evening Dress with Shawl, 2004, cast glass, 59 by 503/4 by 21 inches. Photo/G. Urbanek and O. Kocourek. See page 42.

vol.65, no.3 JUNE/JULY 2005

	FEATURES
	32	PATRICK DOUGHERTY He seems to be at one with the woods, having built a steady artistic career out of weaving and snagging sticks, saplings, vines and other skinny arboreal parts into woodland architecture. by Edward Lebow
	38	RED WELDON SANDLIN: BENDING TALES With fairy and folk tales as her subjects, Sandlin playfully pays homage to ceramic traditions, using natural motifs executed with an exacting trompe l’oeil technique. by Gretchen Adkins
	42	KAREN LAMONTE: REFLECTIONS ON GLASS In her large-scale freestanding sculptures, it is usually the female body that LaMonte examines under and through glass, through the translucent folds and drapery of dress. by John Perreault
	46	RICHARD TUTTLE: STREAMS OF THOUGHT The beauty, vitality and meaning of rare Indonesian textiles are highlighted in an exhibition and a book designed by the artist. by Pamela Scheinman
	48	THE ARTIST RESPONDS: ALBERT PALEY / ART NOUVEAU An exhibition organized by the Racine Art Museum examines the source of Paley’s inspiration—his remarkable collection of Art Nouveau objects. by James Yood
	52	TASMANIA—CROSSING THE DIVIDE—AMERICA A touring show offers comparisons of studio furniture from Tasmania and North America.

	DEPARTMENTS
	6	CRAFT WORLD New in Pomona—American Museum of Ceramic Art
	24	COMMISSIONS
	26	BOOKS
	54	PORTFOLIO LUANNE RIMEL, JAKE ANTONELLI, BRIAN DAVID REID, ANIKA SMULOVITZ
	68	REVIEWS STEVE KLEIN Museum of Northwest Art, La Conner, WA by Ron Glowen TALYA BAHARAL One Mellon Center Gallery, Pittsburgh, PA by Graham Shearing CURTIS BENZLE Canton Museum of Art, Canton, OH by Richard A. Schindler
	66	GALLERY
	70	CALENDAR
	77	ADVERTISING INDEX
	78	CLASSIFIED
	79	AMERICAN CRAFT COUNCIL

		COVER: KAREN LAMONTE—Evening Dress with Shawl, 2004, cast glass, 59 by 503/4 by 21 inches. Photo/G. Urbanek and O. Kocourek. See page 42.