| vol.61 no.6 Dec 2001 / Jan 2002 | ||
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46 |
Eighty-Eight Turnings: Bob Stocksdale A 55-year retrospective honors this sequoia among woodturners. by Kate Callen |
50 |
Tony Natsoulas Portrays . . . Weaned on American popular culture, the California artist has created a ceramic portrait gallery of media icons. by Elaine Levin |
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54 |
Fiberart International: 17th Biennial Exhibition Transformation is the common theme expressed through diverse approaches by the 77 artists in a survey organized by the Fiberarts Guild of Pittsburgh. by Graham Shearing |
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58 |
Conversation: Susan Peterson with Robert Silberman Recalling a career as ceramist, educator, administrator, author, collector. |
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64 |
Billie Jean Theide The sleek silhouettes of her metal teapots conjure varied images, from southwestern buttes to antique flatirons. by Marjorie Simon |
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16 |
CRAFT WORLD |
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34 |
BOOKS |
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38 |
MUSEUM COLLECTION Abbe Museum, Bar Harbor, ME. by Joyce Lovelace |
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42 |
COMMISSIONS |
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68 |
PORTFOLIO Skeffington Thomas, Sharon McCartney, Erik A. Wolken, Amy Hauber |
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74 |
REVIEW: CHUNGHIE LEE Widney Moore Gallery, Portland, OR. by Randy Gragg |
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76 |
GALLERY |
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82 |
REVIEW: JOHN N. DE WIT Foster/White Gallery, Seattle, WA. by Ron Glowen |
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84 |
CALENDAR |
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93 |
CLASSIFIED |
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94 |
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| Cover: BILLIE JEAN THEIDEHybrid: Van Bergh, 2001, teapot, copper, silver plate, acrylic urethane, 7 by 9 by 2 1/2 inches. Photo/ Rimas VisGirda. See page 64. |
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