| Vol. 59 No. 4 August/September 1999 | ||
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40 | Joel Philip Myers A glass master goes forward in new directions. by James Yood |
44 | 20th-Century Textiles at the Art Institute of Chicago One of America's leading museums shows off its contemporary textile collection. | |
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48 | "Please Be Seated" Putting studio furniture to public use at the Yale University Art Gallery. | |
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52 | The Object in Its Place Designer Ted Cohen's gift for displayespecially of craft objectsis legendary. by Joyce Lovelace | |
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60 | Hervé Wahlen: Dinanderie A French artist takes copper through an age-old process.by Jeremy Lebensohn | |
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62 | Rest Rooms Surprise! No plain vanilla at the John Michael Kohler Arts Center. | |
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66 | PORTFOLIO James Mongrain / Seattle, WA Pamela Earnshaw Kelly / Montrose, PA Ann Thompson / Biddeford Pool, ME Richard Ford / Portland, OR | |
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8 |
CRAFT WORLD Artists are like everybody else only more so, a Columbia University study suggests. by Joyce Lovelace | |
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32 |
BOOKS North American Indian Jewelry and Adornment/ Reviewed by Robert Kasal | |
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72 |
FOCUS Josiah McElheny / Isabella Stewart Gardner Museum, Boston, MA / Reviewed by Joan Bamberger | |
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80 |
FOCUS Cynthia Schira / Sherry Leedy Contemporary Art / Kansas City, MO / Reviewed by Glen R. Brown | |
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82 |
Calendar | |
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90 |
Advertising Index | |
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94 |
Classified | |
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95 | American Craft Council | |
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| Cover: Dialogue #6, 1998, mold-blown glass, tallest 25 inches high, by Joel Philip Myers. Story on page 40. Photograph by Chris Brown. | |