| vol.65 no.2 APRIL/MAY 2005 | ||
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FEATURES | |
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40 |
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44 |
JOHN ERIC BYERS The severe formality of his shapes and the surface tension of his carving call to mind neoclassical furniture and architecture. by Jeannine Falino |
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48 |
AWARDING TALENT Seven artists have received the Lillian Elliott Award since it was established in 1994. Pat Hickman discusses their work. |
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52 |
STEVEN GLASS: CHANCE AND CONTROL For an exhibition of his wood- and electric-kiln-fired clay pots, Glass set out to examine his personal encounter with the aesthetic and technical adjustments inherent in the two firing methods. by Paula Owen |
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60 |
FRANCES SENSKA: MISSIONARY FOR MODERNISM She has surely been an influential teacher, but her pedagogical influence, and that of her modernist predecessors, extends far beyond her impact on particular artists. by Rick Newby |
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DEPARTMENTS |
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33 |
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56 |
PORTFOLIO VIVIAN BEER, HALEY RENEE BATES, MELANIE BILENKER, DAVID HUANG |
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63 |
CALENDAR |
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68 |
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74 |
GALLERY |
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84 |
ADVERTISING INDEX |
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96 |
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87 |
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