American Craft Council

vol.63 no.3 June/July 2003

Current Issue
38
MATERIAL MATTERS:
AT HOME WITH DAN SCHWOERER AND LANI MCGREGOR
The couple have turned their home, like their business, the Bullseye Glass Company, into an extended argument for the artistic equality of cast and fused glass.
by Randy Gragg

44
LORI BACIGALUPI:
KISS OF THE WOLF
The Oklahoma designer considers her quilted silk garments, with their characteristic vintage buttons, to be the signature of Kiss of the Wolf.
by Susan Baley

48
PROBLEMS… SOLUTIONS
Works by Walter Hamady, a master of the book arts, and his inspiring pedagogy were on view at Columbia College Chicago Center for the Book & Paper Arts.
by Polly Ullrich

52
WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE
The expatriate American had a profound impact on the life and culture of Taxco as a center for fine silver work.
by Arline Fisch

56
FIRE AND FORM AT THE NORTON MUSEUM OF ART
The notion of theatricality nestled at the heart of this West Palm Beach exhibition of glass from Florida collections.
by Janice Paine

64
CABINETS OF CURIOSITIES
In Philadelphia, putting a contemporary spin on a Renaissance idea.

6

CRAFT WORLD

22
MUSEUM COLLECTION
COPIA: The American Center for Wine, Food & the Arts, Napa, CA
by Joyce Lovelace

24
BOOKS
Great Pots: Contemporary Ceramics from Function to Fantasy
Reviewed by John Perreault

30
COMMISSIONS

60
PORTFOLIO
Susan Wheatley, Judith James, Katrina Hude, Linda Cordell

67
CALENDAR

72
REVIEW:
PETER PIEROBON
John Elder Gallery,
New York, NY
by Amy Forsyth

74
GALLERY

80
REVIEW:
ANNABETH ROSEN
Nancy Margolis Gallery, New York, NY
by Nancy Princenthal

86
CLASSIFIED/
ADVERTISING INDEX/
BALTIMORE INDEX

87

AMERICAN CRAFT
COUNCIL NEWS

line

Cover:
Round Guy Meets Square Guy. 2002. The turner Michael Hosaluk and furniture maker Mitch Ryerson explain their piece in “Cabinets of Curiosities”: “Shapes meet. The round ones are curious and dance around the square ones. The square ones want to contain the round ones, to support them. A curious relationship is born.” Various woods and paint, 77 by 24 by 14 inches. Photo/John Carlano.

vol.63 no.3 June/July 2003

	38	MATERIAL MATTERS: AT HOME WITH DAN SCHWOERER AND LANI MCGREGOR The couple have turned their home, like their business, the Bullseye Glass Company, into an extended argument for the artistic equality of cast and fused glass. by Randy Gragg
	44	LORI BACIGALUPI: KISS OF THE WOLF The Oklahoma designer considers her quilted silk garments, with their characteristic vintage buttons, to be the signature of Kiss of the Wolf. by Susan Baley
	48	PROBLEMS… SOLUTIONS Works by Walter Hamady, a master of the book arts, and his inspiring pedagogy were on view at Columbia College Chicago Center for the Book & Paper Arts. by Polly Ullrich
	52	WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE The expatriate American had a profound impact on the life and culture of Taxco as a center for fine silver work. by Arline Fisch
	56	FIRE AND FORM AT THE NORTON MUSEUM OF ART The notion of theatricality nestled at the heart of this West Palm Beach exhibition of glass from Florida collections. by Janice Paine
	64	CABINETS OF CURIOSITIES In Philadelphia, putting a contemporary spin on a Renaissance idea.
	6	CRAFT WORLD
	22	MUSEUM COLLECTION COPIA: The American Center for Wine, Food & the Arts, Napa, CA by Joyce Lovelace
	24	BOOKS Great Pots: Contemporary Ceramics from Function to Fantasy Reviewed by John Perreault
	30	COMMISSIONS
	60	PORTFOLIO Susan Wheatley, Judith James, Katrina Hude, Linda Cordell
	67	CALENDAR
	72	REVIEW: PETER PIEROBON John Elder Gallery, New York, NY by Amy Forsyth
	74	GALLERY
	80	REVIEW: ANNABETH ROSEN Nancy Margolis Gallery, New York, NY by Nancy Princenthal
	86	CLASSIFIED/ ADVERTISING INDEX/ BALTIMORE INDEX
	87	AMERICAN CRAFT COUNCIL NEWS

		Cover: Round Guy Meets Square Guy. 2002. The turner Michael Hosaluk and furniture maker Mitch Ryerson explain their piece in “Cabinets of Curiosities”: “Shapes meet. The round ones are curious and dance around the square ones. The square ones want to contain the round ones, to support them. A curious relationship is born.” Various woods and paint, 77 by 24 by 14 inches. Photo/John Carlano.