vol.61 no.3 June / July 2001
	50	COLLECTORS BARBARA-ROSE AND ED OKUN For the Okuns, it isn't just about having objects, it's how the objects relate to the room and to one another. by Candelora Versace
	56	DONALD FORTESCUE Recently exhibited "empty vessels" by this artist and teacher hold a mirror up to the studio woodworking field, as if to point out the good and the bad existing within it. by Glenn Adamson
	60	TEXTILE ART FROM SOUTHERN APPALACHIA: THE QUIET WORK OF WOMEN A traveling exhibition and companion book celebrate the handwoven coverlet.
	62	XAVIER TOUBES As the artistic director of the European Ceramics Work Centre in the 1990s, Toubes helped organize and administer that experimental venue. Now he's applying his artistic insights and technical expertise as a professor at the School of the Art Institute of Chicago. by Polly Ullrich
	66	STEPHEN ROLFE POWELL The Kentucky glass artist makes vessels, round and bulbous, curvaceous and ribald, replete with generous intimations of the sensuality of the human body. by James Yood
	70	JEWELS OF MIND AND MENTALITY: 50 YEARS OF AVANT-GARDE DUTCH JEWELRY An approach to design in which form and material are determined by the concept of the piece has driven the art jewelry field in the Netherlands for the past five decades. by Arline M. Fisch
	12	Craft World
	32	MUSEUM COLLECTION Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA. by Joyce Lovelace
	76	COMMISSIONS
	46	BOOKS
	74	PORTFOLIO Rik Allen, Eunjung Park, Kimberly Sotelo, Teresa Paschke
	80	CALENDAR
	82	REUBEN NAKIAN Garth Clark Gallery, New York, NY. Reviewed by Barry Schwabsky
	84	GALLERY
	90	ROBERT WINOKUR Helen Drutt, Philadelphia, PA. Reviewed by Robin Rice
		Cover: STEPHEN ROLFE POWELL-Pyronic Marilyn Monroe, 2000, detail, blown glass, 53 by 22 1/2 by 11 1/2 inches. Story on page 66.