| vol.63 no.1 Feb/Mar 2003 | ||
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ED ROSSBACH 1914-2002 Jack Lenor Larsen recalls a giant of American craft. |
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PETER VANDENBERGE The Dutch-born ceramist incorporates art historical references, surrealism, pop culture and personal histories into his narratives. by Jo Lauria |
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64 |
THE QUILTS OF GEE’S BEND A community of quilters in rural Alabama turns discarded work clothes, feed sacks and corduroy remnants into vibrant art. |
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68 |
THE PLIQUE-À-JOUR OF VALERI TIMOFEEV Though executed in balanced designs that conform to the constraints of the medium, Timofeev’s pieces radiate movement, whimsy and love of life. by Ellen Howards |
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FUSING TRADITIONS: TRANSFORMATIONS IN GLASS BY NATIVE AMERICAN ARTISTS The objects in this touring show go from straightforward translations of Native themes to imaginative reinventions. by David M. Roth |
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TAPESTRY BIENNIAL IV With few exceptions, the works in this international exhibition sponsored by the American Tapestry Alliance propel the traditional concept of tapestry into new territory. by Kate Callen |
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CRAFT WORLD The Wood Turning Center, Philadelphia, PA |
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29 |
BOOKS Changing Hands: Art Without Reservation, 1: Contemporary Native American Art from the Southwest reviewed by W. Jackson Rushing III |
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82 |
PORTFOLIO Trinh Nguyen, Amie Adelman, Goedele Vanhille, Tracy Steepy, Trish Ramsay-Morin |
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86 |
CALENDAR |
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REVIEW: HARRIETE ESTEL BERMAN The Sybaris Gallery, Royal Oak, MI by Carol Novak |
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92 |
GALLERY |
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98 |
REVIEW: CONTEMPORARY FIGURATIVE SCULPTURE Santa Fe Clay, New Mexico by Hollis Walker |
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110 |
CLASSIFIED/ ADVERTISING INDEX/ BALTIMORE INDEX |
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111 |
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