American Craft Council

vol.60 no.1 February / March 2000

Current Issue
66
Barbara Cooper: Layering Time
Her sculpture is the physical manifestation of time-the time it takes to slowly build it and the time it takes to reveal itself to the viewer. by Polly Ullrich

70
Wit and Widgets: The Furniture of Mitch Ryerson
An affinity for industrial bric-a-brac translates into idiosyncratic cabinets and chairs. by Paul Parcellin

74
Peter Collingwood: Master Weaver
What is powerful about Collingwood's weavings, whether rugs, Anglefells or Macrogauzes, is that they never suffer from design contrivance. by Warren Seelig

80
Tom Rippon's Postmodern Marionettes
Dancing figures and surreal still lifes enact an ultimately grace-filled vision. by Rick Newby

84
Asian Ideas
A cohort of mostly Bay Area fiber artists look to the East for inspiration. by Ellen Hauptli

88
Masks: Faces of Culture
A traveling exhibition organized by the Saint Louis Art Museum offers a panorama of humankind's most universal object of art, ceremony and entertainment.

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92
PORTFOLIO
Jason Hess / Lake Charles, LA
Charlotte Meyer / Seattle, WA
Mary Preston / High Falls, NY
George Peterson / Lake Toxaway, NC

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26
CRAFT WORLD

24
LETTERS

27
BOOKS
Julie Ardery reviews Two Looks to Home: The Art of Tommy Simpson

30
ACQUISITIONS

98
Norma Minkowitz / Bellas Artes Gallery / Santa Fe, NM / Reviewed by Kathleen Whitney

100
Gallery

106
Beyond the Obvious: Rethinking Jewelry / San Francisco
Craft & Folk Art Museum, CA / Reviewed by Chiori Santiago

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110
Calendar

123
Classified

124
Advertising Index

125
American Craft Council

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Cover:
Swiss Miss, 1999, detail, teapot, porcelain, lusters, acrylic, pencil, 11 by 5¹/2 by 14¹/2 inches, by Tom Rippon.
Story on page 80. Photo/Dean Powell.

vol.60 no.1 February / March 2000

	66	Barbara Cooper: Layering Time Her sculpture is the physical manifestation of time-the time it takes to slowly build it and the time it takes to reveal itself to the viewer. by Polly Ullrich
	70	Wit and Widgets: The Furniture of Mitch Ryerson An affinity for industrial bric-a-brac translates into idiosyncratic cabinets and chairs. by Paul Parcellin
	74	Peter Collingwood: Master Weaver What is powerful about Collingwood's weavings, whether rugs, Anglefells or Macrogauzes, is that they never suffer from design contrivance. by Warren Seelig
	80	Tom Rippon's Postmodern Marionettes Dancing figures and surreal still lifes enact an ultimately grace-filled vision. by Rick Newby
	84	Asian Ideas A cohort of mostly Bay Area fiber artists look to the East for inspiration. by Ellen Hauptli
	88	Masks: Faces of Culture A traveling exhibition organized by the Saint Louis Art Museum offers a panorama of humankind's most universal object of art, ceremony and entertainment.

	92	PORTFOLIO Jason Hess / Lake Charles, LA Charlotte Meyer / Seattle, WA Mary Preston / High Falls, NY George Peterson / Lake Toxaway, NC

	26	CRAFT WORLD
	24	LETTERS
	27	BOOKS Julie Ardery reviews Two Looks to Home: The Art of Tommy Simpson
	30	ACQUISITIONS
	98	Norma Minkowitz / Bellas Artes Gallery / Santa Fe, NM / Reviewed by Kathleen Whitney
	100	Gallery
	106	Beyond the Obvious: Rethinking Jewelry / San Francisco Craft & Folk Art Museum, CA / Reviewed by Chiori Santiago

	110	Calendar
	123	Classified
	124	Advertising Index
	125	American Craft Council

		Cover: Swiss Miss, 1999, detail, teapot, porcelain, lusters, acrylic, pencil, 11 by 5¹/2 by 14¹/2 inches, by Tom Rippon. Story on page 80. Photo/Dean Powell.