Archive

vol.61 no.1 february / march 2001
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Current Issue

70

Ted Muehling
Natural objects—ginkgo leaves, pinecones, birds' nests, eggs, shells, coral— are the wellspring of this designer's creativity. by Andrea DiNoto

76

At Home: Carl Jennings
In concept and structure, Jennings's California house is every inch his own. by Michael Bondi

83

The Layering Of Two Cultures: Nancy Moore Bess
The artist's love affair with Japan plays out in basketry and mixed-media works that speak to the Zen aesthetic. by Nancy Means Wright

86

Mind Garden
Seattle glass artist Ginny Ruffner explores the creative mind.

92

Shaker Inspiration
The art of seating, as practiced by the Shakers and six studio furniture makers—at the Art Complex Museum, Duxbury, Massachusetts.


96

Tom Muir
Lynn Mayhew Gallery, Ohio Wesleyan University / Delaware, OH. Reviewed by Kay Koeninger


98

Rick Beck
Green Hill Center for North Carolina Art / Greensboro, NC. Reviewed by Joan Falconer Byrd


100

Mary Barringer
Baltimore Clayworks / Baltimore, MD. Reviewed by Jimmy Clark


102

KČkČ Cribbs
Leo Kaplan Modern / New York, NY. Reviewed by Nancy Princenthal


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88

Portfolio
Brent Skidmore, Ashley Jameson Eriksmoen, Jim Rose, Seong A. Kim

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8

Craft World
Watershed Center for the Ceramic Arts—where artists find time and space to grow.

24

Collection
Portland Art Museum, Oregon. A showcase for Northwest art expands.

26

BOOKS

34

COMMISSIONS

106

Gallery
Heeseung Lee, Jason H. Green, Ray Chen, Erik Bright


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Cover:
WILLIAM MORRIS—Artifact Panel, 2000, detail, 400 blown glass elements, 24 by 14 feet, commissioned for the Hoffman Wing of the Portland Art Museum, Oregon, gift of Lois and Leonard Schnitzer.
Story on page 24.