| vol.61 no.1 february / march 2001 | ||
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Ted Muehling Natural objectsginkgo leaves, pinecones, birds' nests, eggs, shells, coral are the wellspring of this designer's creativity. by Andrea DiNoto |
76 |
At Home: Carl Jennings In concept and structure, Jennings's California house is every inch his own. by Michael Bondi |
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83 |
The Layering Of Two Cultures: Nancy Moore Bess The artist's love affair with Japan plays out in basketry and mixed-media works that speak to the Zen aesthetic. by Nancy Means Wright |
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86 |
Mind Garden Seattle glass artist Ginny Ruffner explores the creative mind. |
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92 |
Shaker Inspiration The art of seating, as practiced by the Shakers and six studio furniture makersat the Art Complex Museum, Duxbury, Massachusetts. |
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96 |
Tom Muir Lynn Mayhew Gallery, Ohio Wesleyan University / Delaware, OH. Reviewed by Kay Koeninger |
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98 |
Rick Beck Green Hill Center for North Carolina Art / Greensboro, NC. Reviewed by Joan Falconer Byrd |
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100 |
Mary Barringer Baltimore Clayworks / Baltimore, MD. Reviewed by Jimmy Clark |
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102 |
KČkČ Cribbs Leo Kaplan Modern / New York, NY. Reviewed by Nancy Princenthal |
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88 |
Portfolio Brent Skidmore, Ashley Jameson Eriksmoen, Jim Rose, Seong A. Kim |
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8 |
Craft World Watershed Center for the Ceramic Artswhere artists find time and space to grow. |
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24 |
Collection Portland Art Museum, Oregon. A showcase for Northwest art expands. |
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26 |
BOOKS |
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34 |
COMMISSIONS |
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106 |
Gallery Heeseung Lee, Jason H. Green, Ray Chen, Erik Bright |
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| Cover: WILLIAM MORRISArtifact Panel, 2000, detail, 400 blown glass elements, 24 by 14 feet, commissioned for the Hoffman Wing of the Portland Art Museum, Oregon, gift of Lois and Leonard Schnitzer. Story on page 24. |
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