| vol.62 no.2 April/May 2002 | ||
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62 |
SAM MALOOF A stellar career spanning 50 years is celebrated in an exhibition at the Renwick Gallery of the Smithsonian American Art Museum. by Robert Silberman |
68 |
MIKROMEGAS Big ideas in diminutive format-the stickpin interpreted by an array of international artists. |
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72 |
STEVEN WEINBERG In recent work the Rhode Island artist contradicts the reflective quality of glass, letting light be absorbed into metal-encrusted crystal. by Paul Parcellin |
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76 |
¡CUBA LIBROS! Ediciones Vigía, the Cuban publishing cooperative, shows off its resourcefulness in a traveling exhibit of handmade books. |
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78 |
HOSS HALEY This artist's choice of materials, his skills and sensibility all have their origins in a rural Kansas childhood. by Robin Dreyer |
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86 |
TURNING SINCE 1930 The evolution of lathe-turned wood in North America is traced in a companion exhibition and catalog. by Jody Clowes |
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10 |
CRAFT WORLD Learning from the Larsen Legacy |
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40 |
MUSEUM COLLECTION American Folk Art Museum, New York, NY. by Joyce Lovelace |
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52 |
BOOKS Tradition in Contemporary Furniture; The Theory and Practice of Goldsmithing |
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56 |
COMMISSIONS |
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82 |
PORTFOLIO Alleghany Meadows, Steve Hansen, Anthony Schafermeyer and Claire Kelly, Beth Lipman |
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92 |
REVIEW: LIA COOK Nancy Margolis Gallery, New York, NY. by Sigrid Wortmann Weltge |
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89 |
CALENDAR |
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94 |
GALLERY |
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110 |
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110 |
ADVERTISING INDEX |
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111 |
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| Cover: LIA COOK-Un/mask: Youth, 2001, cotton, woven, 75 by 55 inches. Photo/Lia Cook. See page 92. |
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