| vol.61 no.2 april / may 2001 | ||
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John Garrett The grid is the underlying geometry in almost all his work, becoming a first layer of structure upon which he develops the surface of a piece. by Jan Janeiro |
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The Bray At 50 ìA place to work for all who are seriously interested in any of the ceramic arts.î That was Archie Brayís dream a half century ago. Let the celebrations begin! |
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62 |
Valerie Hector Her distinctive jewelry can be seen at major craft shows across the country, but less known is her extensive research in ethnographic beadwork. by Deborah Krupenia |
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72 |
Women Designers In The USA, 1900-2000 In an exhibit and publication, the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York City, examines the too seldom heralded contributions of women to design. by Andrea DiNoto |
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08 |
Craft World |
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40 |
BOOKS Viktor Schreckengost and 20th-Century Design and Success by Design: The Schreckengost Legacy. Reviewed by Robert Silberman |
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44 |
Collection Speed Art Museum, Louisville, KY. By Joyce Lovelace |
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68 |
Portfolio Michael Schunke, Erika L. Strecker, Jeung-Hwa Park, Jon Sutter |
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76 |
COMMISSIONS |
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78 |
John Mason Frank Lloyd Gallery, Santa Monica, CA. Reviewed by Suzanne Muchnic |
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Gallery |
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86 |
Clare Verstegen gallerymateria, Scottsdale, AZ. Reviewed by Linda Lewis |
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| Cover: JOHN MASON - White Figure, 2000, detail, ceramic, 59 1/2 by 22 inches. Photo/ Anthony Cunha. Review on page 78." |
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