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Featured Artists

We're working to build our directory of American Craft Council artist profiles. For now, start by exploring the biographies of these featured Gold Medalist artists whose work was part of our 2011 exhibition: "Gold: American Craft Council Gold Medalists, 1994-2010" at SOFA Chicago and our 2012 ACC award winners. For more on the exhibition, watch Michael Monroe's video recap. If you’re looking for a particular artist who is participating in an ACC show, please visit the Baltimore ShowAtlanta ShowSt. Paul Show, or San Francisco Show pages.
All Artists

Born in 1929 in Sunbury, Pennsylvania. Don Reitz is considered one of the most important influences in contemporary North American ceramics. Through his studies of salt-firing, Reitz achieved and developed colors that had not been created before using that method. Reitz earned his MFA at Alfred University in 1962, during which time he began his lifelong exploration of atmospheric-firing.

Born in 1921 in Summerfield, Illinois. As a major force in the evolution in of contemporary ceramic art, it’s perhaps an irony of fate that Paul Soldner, known for developing “American raku” and low temperature salt firing, never planned to be a potter.

Both born in 1908 in Vienna. Otto Natzler pursued violin studies, attended a school for textile design, and worked as a textile designer. He met Gertrud Amon in 1933; she had attended commercial school and was working as a secretary while taking art instruction. Gertrud almost immediately interested Otto in clay.

Born in 1918 in Huntington, Pennsylvania. John Paul Miller revived the ancient technique of “granulation” — embellishing a gold surface with infinitesimal spheres of gold — and brought it to the highest degree of refinement in his work, which draws much of its inspiration from crustacean and other animal forms.

Born in 1924 in New York. Ronald Hayes Pearson was one of the true pioneers of the postwar American craft movement. Although best known for his work as a jeweler, Pearson made significant contributions to areas as diverse as sculpture, industrial design, and education, and also played significant roles in the American Craft Council and Haystack Mountain School of Crafts.

Born in 1919 in Los Angeles. Westphal is widely considered one of the seminal figures who established quilting as a fine art. A dynamic artist, her work includes a wide range of mediums, including jewelry, books, paintings, and ceramics. Her folded-paper pieces use photocopied heat-transfer techniques and often are made into seemingly unlikely wearable sculptures.

Born in 1934 in Hastings, Nebraska. Sheila Hicks has been at the forefront of textile design and sculpture for over four decades. She attended Syracuse University (1952-54) and Yale University (BFA, 1957; MFA, 1959).

Born in 1931 in Brooklyn, New York. Arline Fisch’s jewelry is identifiable by the startling quiet of the space created in her colorful, inhabitable forms. She studied extensively in the United States and, with the assistance of two Fulbright awards, in Denmark.

Born in 1925 in Hastings-on- Hudson, New York. William Daley is a beloved mentor and leading figure in contemporary ceramics. His distinctive unglazed stoneware pieces focus on the essence of form, possessing a complex beauty in their deceptive simplicity. Daley taught for almost four decades at the University of the Arts, Philadelphia, retiring in 1990.

Born in 1932 in San Francisco. Di Mare, a self-taught studio weaver, is a major force in American fiber art. In the 1970s his work shifted from weaving to enigmatic, often startling mixed-media assemblages using natural fibers, feathers, and handformed rag paper, which demand introspection on the part of the viewer.

Born in 1934 in the Bronx, New York. Fred Fenster, revered in the metalsmithing community, has focused on gold and silver jewelry and hollowware in silver, copper, and pewter. Fenster attended City College of New York before receiving an MFA from Cranbrook Academy of Art in 1960.

Born in 1928 in Elwood, Indiana. Ken Ferguson, a powerful presence in American ceramics, melded a range of cultural traditions in his work. He is also widely considered to have been one of the most influential educators in the ceramic arts, having taught John Gill, Andrea Gill, Richard Notkin, Akio Takamori, and Kurt Weiser, among many other top professionals in the field.

Born in 1944 in Philadelphia. Paley earned a BFA and MFA from Tyler School of Art in Philadelphia.

Born in 1919 in Hamburg, Germany. After first working with stone, Ruth Duckworth turned to ceramics, the medium that she was to work with for the rest of her career. Duckworth’s art is perhaps most distinctive for its many permutations. Her sculpture, in both ceramic and bronze, ranges in scale from the intimate and delicate to the monumental.

Born in 1926 in Butte, Montana. Rudy Autio was at the forefront of the contemporary ceramics movement; his ceramic vessels, with painterly surfaces and imagery that draws from mythological themes, became iconic for their striking appearance and technical mastery. Over his career, he also executed numerous architectural commissions, mainly ceramic relief and tile murals.

Born in 1934 in Providence, Rhode Island. For over 25 years, Cynthia Schira has been at the forefront of the craft renaissance. She established a modern context for weaving while staying true to traditions and maintaining a provocative physicality. She was an early proponent of computer-based weaving programs, and many of her recent works have referenced digital information.

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